I’m delighted to say that Special Collections is now able to accept researchers again. A quick hello from me, Julie Parry, the new Archivist taking over the reins Special Collections Librarian – Alison Cullingford. Please email email@example.com if you have a query or would like to make a booking and we will do our best to accommodate.
The Catalogue of the Calvin Wells Archive is now freely available online via the Archives Hub: https://archiveshub.jisc.ac.uk/data/gb532-cal
This high quality, very detailed set of metadata was written by James Neill with help from Michelle Williams-Ward. Michelle as an osteology expert was able to ensure that the medical terms used are accurate and that the catalogue works well for typical palaeopathological research themes. The archive will also have much to offer anyone with an interest in medical history, anthropology, or the history of East Anglia.
Thank you to James and Michelle for their excellent work. Thanks too of course to the Wellcome Trust for funding the Putting Flesh on the Bones project.
An update on the Special Collections staff changes we shared with you back in October.
We are delighted to welcome our new archivist to the University! Julie Parry will start work in January. She is highly experienced and has worked with lots of modern, radical archives at the People’s History Museum, where she is senior archivist.
Alison (who writes this) leaves the University at Christmas to take up wonderful role at Durham Cathedral. Martin is now settled into his new subject librarian role though still continues to be involved with Special Collections and will help Julie to settle in. Our Project Archivist, James Neill, finishes on the 30th November. He has done a fantastic job in cataloguing and promoting the complex Calvin Wells Archive and we are very grateful to him for all his efforts.
We are hopeful that we can offer a fairly seamless transition to new opening hours and arrangements in 2019 once Julie has started. However we are not yet able to confirm exactly how our new service will operate. Please therefore continue to inform us by email firstname.lastname@example.org if you are interested in making a booking for 2019. As soon as new hours are agreed, we will be contacting interested parties to offer appointments. Apologies for any inconvenience. We believe it is better not to take firm bookings than to risk disappointing people whose bookings we cannot honour.
Some big changes are on the way for Special Collections.
I (Alison) will be leaving the University at Christmas to take on the role of Head of Collections at Durham Cathedral. I am sad to leave Bradford and grateful for the many opportunities I have had there. However the new role is too wonderful to pass up and I am thrilled to work with manuscripts, early printed books and objects in their historic, distinctive setting. Martin is also moving on, taking up a subject librarian role in the J.B. Library: he has been a huge asset to the team and will be much missed.
We are hoping to minimise disruption to the service during these changes. We are already recruiting a new archivist and are hoping to have someone in post as soon as possible. If you’re planning to visit us in 2019, please contact us on email@example.com so we can keep in touch with you about the prospects for your visit.
This gallery contains 9 photos.
Originally posted on Putting Flesh on the Bones:
Blog post by the Putting Flesh on the Bones Project Conservator Vanessa Torres. A trained paper conservator Vanessa works at the National Science and Media Museum, and acts as secretary for the…
The end of our Putting Flesh on the Bones Project is in sight. It’s been a wonderful experience and we are most grateful to the Wellcome Trust for funding it. The project team have created catalogues and digital resources that unlock the Calvin Wells Archive, creating an invaluable resource for researchers. We have also enjoyed learning more about Calvin Wells himself, who was not only a doctor and archaeologist, but a columnist, water-skier, and collector of strange objects.
To launch the project, we’re hosting ‘Bones, Bodies and Diseases’, a one-day conference, at the Norcroft Centre, University of Bradford, on 26 January 2019. The event, named after his famous book, is a tribute to Dr Wells. It is also an opportunity to celebrate and share the work of the project and of palaeopathologists and other researchers. The event is free and all are welcome. You can register, see the call for abstracts, and find out more via our eventbrite page: https://www.eventbrite.co.uk/e/bones-bodies-and-disease-2019-one-day-conference-and-launch-event-for-the-calvin-wells-archive-registration-50908230889.
Our Project Archivist has discovered some fascinating and sometimes gruesome stories in the archives … find out more in this article from the fantastic Folklore Thursday website:
Source: Magic, Myth & Medicine in the Calvin Wells Archive
The GDPR is coming – to help you!
GDPR rubik’s cube, CC0 licence, via pixabay
The mis-management and mis-use of individuals’ personal data by companies and other organisations is a massive and growing concern. What do we mean by personal data? Email addresses and other contact details, bank account and credit card information, details of medical conditions … all at risk of loss or theft if organisations don’t take proper care. Data breaches can result in serious financial or other consequences for people affected.
On 25 May 2018, the law is changing to give you more control over organisations holding and using your data. The European GDPR (General Data Protection Regulation) will be enshrined in UK legislation via the Data Protection Bill. Companies will have to obtain your consent to keep and use your data, and take proper care of it – or face huge financial penalties.
Special Collections and your data
We in Special Collections are already managing data as required by the law currently in place, the Data Protection Act of 1998. So GDPR does not mean a radical change in our working practices or relationships with our users. Along with all our colleagues at the University, we are however taking the opportunity to review the personal data we hold to make sure we are keeping only what is necessary and legal.
Letterhead from the JB Priestley Archive showing names, addresses and telephone numbers. This is no longer personal data as JBP is deceased, so we are able to share the image with you. (PRI 16/3).
Special Collections manages personal data in two contexts:
- Records relating to the services we offer. Data about collection donors, users, partners, and other people who use our services or work with us: mostly email addresses, occasionally postal addresses and phone numbers. We are auditing the data we keep to make sure we have a lawful reason to retain it.
- Our archives. Archives are about people! Thus they contain personal data relating to those people. As our archives are mostly modern (20th and 21st century) many of those people are probably still alive. We have all kinds of data in all kinds of formats, though we most commonly see addresses and telephone numbers in correspondence – as in the Priestley example above. We keep the data in line with the provision for ‘archiving in the public interest’. We keep only what is archivally appropriate and legal, and access is restricted or closed.
I’ve written this as a summary to assist our users and to help raise public awareness of this important new legislation. Please do contact me if you have any queries about our management of personal data (you also have the right to submit a Subject Access Request).
For general GDPR/data protection queries, here are some resources that you may find useful:
We are delighted to welcome a new colleague to Special Collections. Vanessa Santos Torres joins us as Project Conservator for the Putting Flesh on the Bones Project. Here’s her story, in her own words:
“I am delighted to be part of this fascinating project funded by the Wellcome Trust and having the chance to work in a multidisciplinary team between the University of Bradford’s Special Collections and the Department of Archaeological Sciences.
Vanessa Santos Torres, conservator
I have a degree on Conservation and Restoration and I am specialised in Paper Conservation. Upon conclusion of my degrees, I had the chance to work on a range of different environments and countries which contributed to the consolidation of my knowledge on remedial conservation skills and preventive conservation. Since 2013 I have been the Conservator of the National Science and Media Museum, Bradford. It is with great satisfaction that I am now able to work on these two celebrated Bradford institutions.
With my expertise on paper and photographs conservation I am responsible for ensuring the long-term care of the Calvin Wells Archive is considered at all times – from suitable handling and packing to appropriate storage conditions. I will be performing conservation treatments on the archive to increase their stability and lifespan. I am delighted to being able to contribute towards its preservation to future generations of researchers and enthusiasts.
I am passionate about photography and printing techniques. During my free time I enjoy reading and experimenting with traditional printing.”